In Between

I’ve been a little hesitant to break this guitar out–or any microtonal stuff really–for a few months now…well maybe a little longer than a few months considering I played in a band for 4 years that hardly used any microtones.

I have a lot of reasons for avoiding–some deeper philosophical perspectives that attempt to fuse music theory with semiotics–but that’s a bunch of rambling for another time. For now, I just wanted to get back into these sounds and combine them with some of the more interesting, abstract delay and reverb techniques I’ve been using live and at home with other guitars and instruments.

There’s always the challenge in Just Intonation of trying to use multiple tonal centers, and you naturally want to gravitate toward a single one, a single key, but man, when it works, there’s nothing else that sounds like this.

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